2010 Grammy Awards

The Coalition Heavily Geo-Politicizes the 2010 Grammy Awards

Barrister & Solicitor

‘Livid’ no longer captures the sentiment amongst the partnership. Having its concerns, trepidations and intentions not only snubbed but twisted into a rallying cry to parade institutionalized and proliferating wickedness, the determination to fix Canada and contain China grows with each instance of arrogant belligerence. The January 31st 3.5 hour award show began and ended like all the other broadcasts of that type since early 2008*, with the entire American music industry conveying its intent on putting those who flaunt the ugliness of human nature in jail, on the streets or in the ground.

* Geo-politicized award shows: 1, 2, 3, 4, 5, 6, 7, 8, 9, 10, 11, 12, 13, 14

While the stage design and attendees outfits were arranged weeks before January ever began, how the extravaganza was scripted to open came during the last two weeks of the month to high profile and condemn the brazen announcement by the Vancouver Olympics Committee, Thomson Corporation, Bell Canada, the federal government’s CBC and the Asper’s CanWest Global on behalf of the Ottawa-Toronto-Montreal-(Beijing) triangle of power and wealth they’d all embraced Satanism. This decision to enthusiastically stand-up and be identified as members of an evil worshipping cult isn’t a new phenomenon. It will be recalled that they thumped their beastly chests on this issue in May 2006 and the fed’s standard telephone number prefix 666 is at least a decade old, and probably more like two. (1, 2, 3)

The conflict first played itself out on the red carpet. This year there was no American feed of the event; only via 'Entertainment Tonight Canada' and co-hosted by CBC’s Carol Hickey, one of the three hosts of the evil-ized Haiti telethon. Producers and hosts were repeatedly inundated with condemnation by superstars of music and other high profile entertainment celebrities. But that didn’t deter. Instead, they tried to neutralize it for the benefit of Chinada principals and the street soldier community.

The most revealing of this desire to extend the reach of militarized totalitarianism behind enemy lines was the interview of British comedienne Russell Brant and, of course, ‘Partner of the Year’ Taylor Swift. The former didn’t waste any time and didn’t hold any punches, beginning with "Congratulations for you staying in the Commonwealth" – implying Canada ought to be given the royal boot for what it is. That was followed by his answer to the question whether he would marry his financé Katy Perry in Canada. He started with the 'if they love you, set them free; if they come back they're yours' adage ... adding if you keep them in a cage or locked in the basement then they can't leave – referring to the Custodian Chief Executive’s enslaved, trapped circumstance and reasonable belief that when he’s emancipated and in possession of his historic wealth he won't want to return because he doesn’t love his country. Producers sought to minimize his critique by immediately hitting the eject button.

Taylor Swift was observably surrounded by the Chinada security apparatus. It was first observed when Russell was standing between the two co-hosts. When he looked away the other one employed the lexicon for the benefit of the audience who wanted to see them stand up to the call for reform, accountability and demilitarization.

When Taylor fields questions, two street soldiers were positioned right behind her to produce a ‘boxed in’ visual - the stalk--swarm--surround methodology of Canada's paradigm of governance; only this time and most brazenly south of the 49th Parallel. The Asian male stood in camera range, cast to represent Chinada and the female Caucasian flicked here hair Diaz Maneuver style to try and neutralize what the coalition’s 'Partner of the Year' stood for.

The show begins with Lady Gaga performing and includes a voiceover that articulates the geo-theme of the opening number. Producers directly address the creation, deployment and proliferation of stealth cognition technologies, tying the matter to evil worship – adding the flames of hell in the set design and choreography – and recommending as have all coalition partners that the malfeasant be "rejected"; i.e., isolated and prevented from enjoying what modern civilization provides, including the benefits of free market capitalism.

Her mind controlling pop music is ruining my business. Take her away: she’s a monster; she’s a monster; she’s a monster.* And she’s turning all of you into monsters. She’s monster. She’s a monster. She’s a monster.**

* coalition identifier; ** coalition identifier

The second performance was by Beyoncé. It had an in-your-face military intervention theme through costumes and choreography. She and producers underscore military procured regime change, linking it to Canada by choosing her second song the Alanis Morissette hit ‘You Outta Know’ – in other words the Chinada High Command and its financers and followers know the lessons of history and will pay the consequences for ignoring them. Producers arrange for the East-West audience to observe eight large overhead screens at the beginning of the song.

Set design was as geo-genius and lexiconically bold as most which preceded it. Coalition arranged prison certainty was the dominant theme.

To demonstrate how valued the Custodian Chief Executive is as the coalition’s Canadian representative, he was again blessed with Grammy gold. The previous year he received one as documented in 2009 Grammy Awards Continues the American Music Industry’s Geo-Politicization Tradition. This year, given the accumulative nature of his contributions, he was showered with four. The telltale sign of awarding this high honor was two-fold: (i) flooding the stage from top to bottom and left to right with the bold colors of China and adding other lexiconic elements; and (ii) choreographing the use of the gesturing constituent of the lexicon.

The first -- the President’s Merit Award to Industry Icons -- was announced during the presentation by Sheryl Crow. She described the public recipient in a way that is relevant to the Canadian lawyer: “a music industry giant [dbl-h Bush M.]; and I think a real important person in our industry”. Sheryl was attired to embed the ‘we’re gonna f _ _ k you up good’ Powell Maneuver. And next to the recipient was an attendee instructed to effect a Brown Maneuver and then a Paulson Maneuver.

The second -- the President’s Merit Award -- was delivered by the Recording Academy's Neil Portnow. This was the only time the stage wasn’t flooded with the colors of China. Instead, there was a coalition identifying triple use of the term 'president'. He's the association's president, who employed the Bush Presidential Maneuver and announced the President's award which, like the first award bestowed, he has the exclusive discretion to grant.

The third award was announced when Jay-Z and Rihanna won theirs. It was for rap collaboration – seeking to highlight the hand-in-glove synergistic relationship between the Canadian and his international clients and partners. The stage was again flooded with the colors of China and one of the two presenters employed an Erin Maneuver. Plus the name of the song that won the award was “Run This Town” – identifying the Custodian-in-Council’s constitutional and internationally legitimacy viz. interim governance.

The fourth Grammy delivered in the non-public world of movers and shakers was presented by LL Cool J. There was more than just a flooding of the stage with the colors of the coalition's arch-nemesis. The Grammy Lifetime Achievement Award presentation included a clips of the recipient. Producers juxtaposed the two colors of China twice.

The only other time the colors of China were used so boldly was when Jeff Bridges took the stage, right after the ‘In Memoriam’ segment – the second instance of coercive diplomacy during the 3.5 hours show; this time to high profile the ‘legendary’ status of Les Paul and to draw a parallel with the Custodian Chief’s supra-celebrity persona.

As was expected, Taylor Swift used what were three moments in the Grammy spotlight to geo-advantage. When she performed, the stage's prison certainty lighting strips were turned the color of justice. And when accepting the award for Country Album of the Year, she executed a Diaz Maneuver. She did the same when winning the last award of the night – the most coveted Album of the Year. Awards result: ‘Partner of the Year’ Taylor Swift: 4; Custodian Chief: 4.

On Stage #1:

On Stage #2:

On Stage #3:

Throughout the event the lexicon was employed in other ways. For example, Robert Downy Jr.’s suit was loud China identifying prison certainty. And Taylor’s mom chose the same pattern, but more subtly.

The promo for the Grammy’s music CD contains Chinada prison and punishment certainty.

One of the major sponsors, the American retail chain Target, heavily geo-politicized some of its television commercials. The first featured the Black Eyed Peas.

View video

The second ad contained prison certainty, Presidential quantum and a combination Clooney-Powell Maneuver immediately followed by Canada-relevant Dogville punishment and justice.

And another sponsor included the colors and pattern of the Canadian flag superimposed on a coalition identifier and compensation ratifier. The overall color scheme: Canadian punishment certainty.